BRIC Stands With Our Black Community

A Letter From Our President:

In this moment of profound reckoning for our country, I'm stunned by having witnessed so brazenly the ongoing consequences of whiteness being weaponized against Black bodies. I grieve for the Black lives taken from us: George Floyd, Breonna Taylor, Ahmaud Arbery, and many others. I'm also pained by the toll COVID-19 has taken on our country, our city, our borough, and our neighbors. KEEP READING >>

Joey De Jesus: HOAX

In HOAX, Joey De Jesus explores intersections of poetry, technology, mysticism, and performance as a means of connecting the spiritual to the scientific, the individual to the cosmos. The exhibition title, as De Jesus notes, suggests the suspension of rational thought required to believe the world anew, despite the willful oppression that surrounds us. An artist’s book, NOCT: The Threshold of Madness, is the exhibition's centerpiece. De Jesus's erasures and drawings over selected texts on the pages of a popular “how to” book of black magic act to repress sentiments predicated on anti-Otherness, or moments in which the black or queer were likened with evil. This project also includes suede leather scrolls encoded with laser-etched celestial maps/poems, and hand-drawn paper scrolls used in performance. 

PROJECT ROOM


 

EAST FACING

 

SOUTH FACING

 

WEST FACING

 

NORTH FACING


 

 

Materia Scroll, 2018
Ink on paper
17 x 167 in.


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Tablet of Destiny I, 2017
Laser-cut suede
36 x 20 in.


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Tablet of Destiny II, 2017
Laser-cut suede
36 x 20 in.


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Tablet of Destiny III, 2017
Laser-cut suede
36 x 20 in.


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NOCT — The Threshold of Madness, 2015
Ink on found object
12 x 9 in.


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HOAX: Celestogram, 2019
Ink on paper
21 x 31 in.


NOCT — The Threshold of Madness, 2016
Interactive Animated video
10 min.